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The Yam Festival Celebrated by the Asante People in Kumase in 1817

Joseph S. Kaminski

Research Center for Music Iconography, The Graduate Center, City University of New York

From Your Own Backyard!': Taste and Place in Contemporary Visual Art in Ghana

Rhoda Woets

Stichting Etnofoor

West African Decorative Weaving

Kate P. Kent

UCLA James S. Coleman African Studies Center

The Verbal Art of Akan Linguist Staffs

Doran H. Ross

UCLA James S. Coleman African Studies Center

Traditional Asante Architecture

Labelle Prussin

UCLA James S. Coleman African Studies Center

Tradition and colour at its best': 'tradition' and 'heritage' in Ghanaian video-movies

Birgit Meyer

Taylor & Francis, Ltd.

The Stool and Asante Chieftaincy

Sharon F. Patton

UCLA James S. Coleman African Studies Center

Spectacular Nation: Nkrumahist Art and Resistance Iconography in the Ghanaian Independence Era: [With Commentary]

Authors: Janet Hess and Nii O. Quarcoopome

UCLA James S. Coleman African Studies Center

Spatial "wRapping": A Speculation on Men's Hip-Hop Fashion

Scott L. Ruff

Massachusetts Institute of Technology

The Sacred Stools of Ashanti

Peter Kwasi Sarpong

Nomos Verlagsgesellschaft mbH

Objects of Affect: Photography Beyond the Image

Elizabeth Edwards

Annual Reviews

The Royal Stools of Ashanti

A. Kyerematen

Cambridge University Press on behalf of the International African Institute

Performing Ferocity: Fancy Dress, Asafo, and Red Indians in Ghana

Courtnay Micots

UCLA James S. Coleman African Studies Center

Misplaced Souls: Reflections on Gold, Chiefs, Slaves, and Death among the Akan of Ghana

Doran H. Ross

The University of Chicago Press

The Iconography of Asante Sword Ornaments

Doran H. Ross

UCLA James S. Coleman African Studies Center

Hippies of Elmina

Keith Nicklin and Jill Salmons

UCLA James S. Coleman African Studies Center

Golden Emblems of Maternal Benevolence: Transformations of Form and Meaning in Akan Regalia

Suzanne Gott

UCLA James S. Coleman African Studies Center

Hair in African Art and Culture

Roy Sieber and Frank Herreman

UCLA James S. Coleman African Studies Center

The Heraldic Lion in Akan Art: A Study of Motif Assimilation in Southern Ghana

Doran H. Ross

The University of Chicago Press

Gur and Manding Masquerades in Ghana

René A. Bravmann

UCLA James S. Coleman African Studies Center

Ghana's Class Beadmaking Arts in Transcultural Dialogues

Suzanne Gott

UCLA James S. Coleman African Studies Center

Exhibiting Ghana: Display, Documentary, and "National" Art in the Nkrumah Era

Janet Hess

UCLA James S. Coleman African Studies Center

The Essential Art of African Textiles: Design without End

Alisa LaGamma

UCLA James S. Coleman African Studies Center

FIMA and the Future of African Fashion

Victoria L. Rovine

UCLA James S. Coleman African Studies Center

Framed and Hidden Histories: West African Photography from Local to Global Contexts

Candace M. Keller

UCLA James S. Coleman African Studies Center

Entangled Traditions: Photography and the History of Media in Southern Ghana

Tobias Wendl

The University of Chicago Press

Ephraim Amu's "Bonwere Kenteŋwene": A Celebration of Ghanaian Traditional Knowledge, Wisdom, and Artistry

George Worlāsi Kwasi Dor

UCLA James S. Coleman African Studies Center

Commemorating an African Queen: Ghanaian Nationalism, the African Diaspora, and the Public Memory of Nana Yaa Asantewaa, 1952-2009

Harcourt Fuller

UCLA James S. Coleman African Studies Center

The Digitization of Africa

Peter Limb

Indiana University Press

Commemorating the Chief: The Politics of Postage Stamps in West Africa

Agbenyega Adedze

UCLA James S. Coleman African Studies Center

Decolonizing History: Arthur Schomburg's Afrodiasporic Archive

Adalaine Holton

The University of Chicago Press

Contemporary and Commercial Art in Ghana: Recycling Text, Image and Material

Authors: Keith Nicklin and Jill Salmons

Museum Ethnographers Group

Carnival in Chana: Fancy Dress Street Parades and Competition

Courtnay Micots

UCLA James S. Coleman African Studies Center

The Calendrical Factor in Akan History

Kwasi Konadu

Boston University African Studies Center

Beginnings of Ewe and Asante Weaving

Philip Atsu Afeadie

Historical Society of Ghana

Bono Royal Regalia

Dennis M. Warren

UCLA James S. Coleman African Studies Center

Artists Advertising Themselves: Contemporary Studio Façades in Ghana

Doran H. Ross

UCLA James S. Coleman African Studies Center

The Asante Umbrella

Sharon F. Patton

UCLA James S. Coleman African Studies Center

The Art of Festival in Ghana

Herbert M. Cole

UCLA James S. Coleman African Studies Center

African Photography

Charles Gore

UCLA James S. Coleman African Studies Center

Art from the Archive

Ferdinand de Jong and Elizabeth Harney

UCLA James S. Coleman African Studies Center

The Art of Osei Bonsu

Doran H. Ross

UCLA James S. Coleman African Studies Center

Art of the Akan

Nii Otokunor Quarcoopome

The Art Institute of Chicago

THE PEOPLE OF GHANA: THEIR ORIGINS AND CULTURES

James Anquandah

Historical Society of Ghana

Royal Treasury, Historic House, or Just a Museum? Transforming Manhyia Palace, Ghana, into a Site of Cultural Tourism

Enid Schildkrout

American Anthropological Association / Wiley (on behalf of Council for Museum Anthropology)

A Tropical Modern Architect: Prof. John Owusu Addo

Prince Charles Kwabi

DocoMomo Journal

Panoply of Selected Asante and Ijaw Cultural Practices: Comparative and Descriptive Study

Steve Kquofi, A. Olowonirejuaro, and Eric Appau Asante

Academic Journals

Ewe Proverbs – A Source of Imagery for Textile Designs

Vigbedor Divine¹*, Gbadegbe Richard Selase¹, Adja-Koadade Mokpokpo¹, Agra Florence²

IISTE International Knowledge Sharing Platform ISSN 2224-6061 (Paper) | ISSN 2225-059X (Online)

The Creation of Traditional African Dance/Music Integrated Scores

Doris Green

Loyola Marymount University

Corpus Christi procession in Ghana as a manifestation of various identities

Anna Niedźwiedź

N/A

The Conflicting Categorization of Kings and Chiefs in Ghana: The Status of the Asantehene

Justis Sir Dennis Adjei

SAS Open Journals

Art Studies in Ghana: Whose Responsibility?

Kwame Amoah Labi

University of Ghana

The Use of Asante Linguist Staff Symbols in Textile Design

Daniel Kwasi Asare

Kwame Nkrumah University of Science and Technology (KNUST)

Asante Gold

The Wallace Collection

The Wallace Collection